Plum noir and burnished gold create a rich two-color direction for a crochet Victorian Gothic flower choker. Plum noir can provide the dark lace foundation, ties, scalloped edges, and shadowed petals, while burnished gold can highlight flower centers, borders, medallions, and selected details that need to remain visible against the deeper base.
A choker has very little surface compared with a collar or scarf, so color placement needs discipline. Covering every flower, lace opening, and edge in alternating colors can make the neckline look busy. Larger plum-noir sections with concentrated burnished-gold details usually preserve both the Gothic darkness and the ornamental Victorian-inspired character.
Flower scale matters too. One substantial rose at the center creates a very different effect from a chain of small flowers, while layered peonies, pansies, or orchids can quickly add volume. Keep dimensional motifs where they can sit comfortably without interfering with the closure or folding awkwardly against the neck.
The tutorials below include direct flower chokers, rose chokers, lace chokers, floral necklaces, collars, and several flower constructions that can supply individual botanical motifs. When a source demonstrates only the flower rather than the complete choker, use it for that component and plan the neckline band, closure, and plum-noir/burnished-gold placement separately.
Quick List
- Plum Noir Crochet Victorian Gothic Lace Flower Choker with Burnished Gold Center
- Plum Noir Crochet Victorian Gothic Rose Choker with Burnished Gold Petal Edge
- Burnished Gold Crochet Victorian Flower Chain Choker with Plum Noir Ties
- Plum Noir Crochet Victorian Rose-Outline Choker with Burnished Gold Center
- Plum Noir Crochet Victorian Floral Collar Choker with Burnished Gold Flowers
- Plum Noir Crochet Victorian Gothic Lace Choker with Burnished Gold Accent Points
- Burnished Gold Crochet Victorian Floral Necklace Choker with Plum Noir Flower Centers
- Plum Noir Crochet Victorian Single-Flower Choker with Burnished Gold Border
- Plum Noir Crochet Victorian Rose Choker with Burnished Gold Leaf-Like Accents
- Burnished Gold Crochet Victorian Flower Choker with Plum Noir Connecting Chain
- Plum Noir Crochet Victorian Statement Floral Choker with Burnished Gold Bud Details
- Burnished Gold Crochet Bohemian-Victorian Flower Choker with Plum Noir Edging
- Plum Noir Crochet Victorian Gothic Narrow Choker with Burnished Gold Flower Appliqué
- Plum Noir Crochet Victorian Vintage Lace Choker with Burnished Gold Floral Center
- Plum Noir Crochet Victorian Flower-Pendant Choker with Burnished Gold Neck Band
- Plum Noir Crochet Victorian Gothic Pansy Choker with Burnished Gold Flower Centers
- Plum Noir Crochet Victorian Gothic Peony Choker with Burnished Gold Lace Band
- Plum Noir Crochet Victorian Gothic Orchid Choker with Burnished Gold Side Details
- Balanced Plum Noir and Burnished Gold Crochet Victorian Gothic Rose Garden Choker
Let Plum Noir Create the Victorian Gothic Choker Foundation
Plum noir works particularly well across the narrow band because it establishes the dark neckline before any flower is added. Use it continuously through lace, scallops, or a simple crochet strip if you want the floral motifs to feel attached to one coherent choker rather than strung together as separate decorations.
Burnished gold can then identify the places where the eye should stop: a center flower, petal edge, medallion, or repeated small floral centers.
Use Burnished Gold Where Plum Noir Flowers Need Definition
Dark flower-on-dark-band combinations can lose petal separation. Burnished gold is most useful when it clarifies one structural part of the flower instead of outlining everything.
A gold-toned center can separate plum-noir petals, while a narrow outer petal row can help one large flower stand away from a dark lace band. Choose the placement according to which part of the motif becomes unclear when viewed at normal conversational distance.
Keep Plum Noir and Burnished Gold Comfortable Around the Neckline
A dramatic Gothic appearance does not require an excessively tight fit. Plan the band and closure according to the actual choker construction and make sure the finished piece sits comfortably without restricting the neck.
Keep large flowers and raised details away from areas where they press uncomfortably at the sides or back. Closures, ties, or adjustable sections should remain accessible rather than disappearing beneath layered petals.
1. Plum Noir Crochet Victorian Gothic Lace Flower Choker with Burnished Gold Center
Use plum noir for the complete lace band and place one burnished-gold floral focal point at the center front. This gives the choker a strong dark foundation while allowing the lighter flower to behave like a Victorian-inspired medallion.
Plum Noir Should Keep the Gothic Choker Band Continuous
Let the lace remain plum noir from one side of the neckline to the other. The uninterrupted dark band establishes the silhouette and prevents the center flower from competing with multiple additional color changes.
Burnished Gold Can Create One Focal Flower on Plum Noir
Keep the burnished-gold flower centered or intentionally offset rather than repeating equally large gold motifs around the entire neckline. One concentrated light area gives the choker a clearer hierarchy.
Repeat Burnished Gold Sparingly Across Plum Noir Lace
A small lower drop or narrow edge detail can connect the flower to the band, but keep the additional gold restrained so the center remains dominant.
Creator Credit: Crocket Crochet
2. Plum Noir Crochet Victorian Gothic Rose Choker with Burnished Gold Petal Edge
Make the main rose plum noir and use burnished gold only along selected outer petals or the flower center. The darker rose retains the Gothic character while the warm accent helps layered petals remain visible.
Plum Noir Should Carry the Main Rose Volume
Keep most petals in plum noir rather than alternating every layer. A continuous dark flower looks more substantial and keeps the color relationship from becoming striped.
Burnished Gold Can Separate Plum Noir Outer Petals
Use gold-toned edging where the rose silhouette needs definition against the neck band. Avoid outlining every interior petal if the dimensional structure already creates enough shadow.
Plum Noir Ties Can Keep Burnished Gold Focused on the Rose
Using the dark shade for the neck ties or band prevents the gold accent from spreading into every part of the accessory.
Creator Credit: Susen Mehralieva
3. Burnished Gold Crochet Victorian Flower Chain Choker with Plum Noir Ties
Use a row of burnished-gold flowers as the central necklace section and plum noir for the side chains or ties. This produces a lighter floral front while the dark ends create a clear Gothic frame.
Burnished Gold Flowers Need Consistent Spacing Between Plum Noir Ends
Keep each gold-toned flower distinct rather than allowing adjacent petals to overlap heavily. A visible rhythm makes the floral chain easier to read around the curve of the neck.
Plum Noir Ties Can Ground the Burnished Gold Flower Chain
Use the darker shade where the floral section ends and the adjustable portion begins. This creates a clean transition between decoration and closure.
Creator Credit: VivCrochets
4. Plum Noir Crochet Victorian Rose-Outline Choker with Burnished Gold Center
Use a plum-noir rose as the main focal motif and concentrate burnished gold in the center or another small internal section. This gives a relatively simple flower strong depth without requiring a contrasting outline around every petal.
Plum Noir Can Keep the Rose Choker Dark and Sculptural
Use one dominant plum-noir flower or several related dark petals so shape rather than frequent color changes provides the main detail.
Burnished Gold Should Stay Concentrated Inside the Plum Noir Rose
A defined gold center creates a clear visual anchor. If the accent spreads across most petals, the flower may become gold-dominant and lose the dark Gothic emphasis.
Creator Credit: Arte handmade
5. Plum Noir Crochet Victorian Floral Collar Choker with Burnished Gold Flowers
Adapt a broader floral collar concept into a close neckline by using plum noir for the connecting band and burnished gold for selected flower motifs. The larger floral vocabulary can make the choker feel more ornate without requiring every section to be equally dense.
Plum Noir Should Connect Burnished Gold Flowers Across the Neckline
Keep a visible dark route between the flowers. This prevents the individual gold-toned motifs from looking like an unrelated garland.
Burnished Gold Flowers Can Concentrate at the Plum Noir Front Center
Use the strongest floral cluster around the central neckline and reduce the motif size toward the sides. That taper keeps the choker from feeling equally bulky around the entire neck.
Plum Noir Should Remain Simpler Near the Burnished Gold Closure Area
Avoid large flowers directly beside the back closure. A plainer band gives the choker a cleaner and more comfortable finishing area.
Creator Credit: Michelle Duarte Crochê
6. Plum Noir Crochet Victorian Gothic Lace Choker with Burnished Gold Accent Points
Use plum noir through an open lace band and place burnished gold only at a few repeated focal points. The dark openwork gives the choker delicacy, while the lighter accents stop the lace from visually disappearing.
Plum Noir Lace Should Remain the Main Choker Surface
Keep the full lace repeat in one dark color so its scallops or openings are easy to follow. Too many gold changes inside the stitch pattern can obscure its structure.
Burnished Gold Can Mark Selected Plum Noir Lace Points
Place the warm color at the center front, lower points, or another repeated structural location. Consistency makes the accents look ornamental rather than scattered.
Creator Credit: enchantedbycraft
7. Burnished Gold Crochet Victorian Floral Necklace Choker with Plum Noir Flower Centers
Let burnished gold dominate a chain of small flowers and use plum noir at their centers. This reverses the usual dark-background arrangement and creates a brighter botanical neckline with deep focal dots.
Burnished Gold Flowers Should Form One Continuous Plum Noir Choker Rhythm
Use the gold-toned flowers at consistent intervals so they create a clear band rather than isolated pendants.
Plum Noir Centers Can Give Burnished Gold Flowers Gothic Depth
Keep the dark centers large enough to remain visible but small enough that the petals still read primarily as burnished gold.
Repeat Plum Noir in the Burnished Gold Choker Ties
A dark closure or side tie connects the flower centers to the rest of the accessory and prevents plum noir from appearing only as tiny isolated spots.
Creator Credit: Francesca Uncinettando Crochet&Love
8. Plum Noir Crochet Victorian Single-Flower Choker with Burnished Gold Border
Use one substantial plum-noir flower at the center and a relatively narrow choker band, then introduce burnished gold only around the flower’s outer edge or the band perimeter.
Plum Noir Should Keep the Single Flower Visually Strong
A one-flower design depends on that motif carrying enough scale to matter. Keep the main petal area dark and uninterrupted.
Burnished Gold Can Frame the Plum Noir Flower Without Taking Over
Use a narrow gold-toned border where the petals meet the surrounding band. The accent should sharpen the silhouette rather than turn the flower into a two-color stripe pattern.
Creator Credit: Cherilyn Q
9. Plum Noir Crochet Victorian Rose Choker with Burnished Gold Leaf-Like Accents
Use plum noir for one or more rose motifs and introduce burnished gold in small leaf-like or connecting details around them. This adds asymmetry and movement without making the choker look like a complete gold floral wreath.
Plum Noir Roses Should Remain the Largest Floral Forms
Keep the dark roses noticeably larger than the burnished-gold supporting details so the hierarchy is immediately clear.
Burnished Gold Can Extend Plum Noir Roses Along the Neckline
Use smaller accents to lead the eye outward from the central flowers. This is particularly useful when the rose cluster is intentionally off-center.
Plum Noir Banding Can Contain the Burnished Gold Side Details
A continuous dark neck band keeps the asymmetrical accents visually connected and prevents them from floating independently.
Creator Credit: Adriana
10. Burnished Gold Crochet Victorian Flower Choker with Plum Noir Connecting Chain
Make the individual floral motifs burnished gold and use plum noir as the narrow crochet chain or lace that connects them. This creates a strong flower-by-flower rhythm and allows the darker color to act like an ornamental framework.
Burnished Gold Flowers Need Plum Noir Space Between Motifs
Leave enough visible dark connection that each flower retains its own outline. Closely packed gold petals can merge into one continuous light band.
Plum Noir Can Create a Gothic Framework Around Burnished Gold
Use the dark connecting section consistently across the full neckline, including the side portions leading toward the closure.
Creator Credit: Annie Ahmed 🧸
11. Plum Noir Crochet Victorian Statement Floral Choker with Burnished Gold Bud Details
Use several plum-noir flowers of different sizes and reserve burnished gold for buds, small leaf shapes, or other secondary botanical forms. This creates a fuller Victorian-inspired floral composition without giving every motif equal prominence.
Plum Noir Flowers Can Build the Main Gothic Choker Cluster
Place the largest dark bloom near the center or one deliberate side position, then use smaller flowers to taper outward.
Burnished Gold Buds Should Remain Smaller Than Plum Noir Flowers
The gold-toned accents can guide the eye through the cluster but should not compete with the primary blooms for scale.
Keep Burnished Gold Away from Overcrowding the Plum Noir Neck Band
Leave some dark band visible between botanical groups so the choker retains a clear wearable structure.
Creator Credit: Crocheting is passion
12. Burnished Gold Crochet Bohemian-Victorian Flower Choker with Plum Noir Edging
Use burnished gold across a softer flower-necklace construction and add plum noir at the outer edge or connection points. The brighter floral field feels less severe, while the dark framing shifts it toward a Gothic direction.
Burnished Gold Can Carry the Main Floral Necklace Surface
Keep the flower petals predominantly gold-toned so the center section remains visibly lighter than the edges.
Plum Noir Edging Can Give Burnished Gold a Victorian Gothic Frame
Use the dark shade consistently along the outer edge or side chains rather than inserting small plum-noir marks into every petal.
Plum Noir Should Continue into the Burnished Gold Closure
Repeating the darker edge color at the tie or fastening section gives the whole choker one coherent boundary.
Creator Credit: AlineCrochet
13. Plum Noir Crochet Victorian Gothic Narrow Choker with Burnished Gold Flower Appliqué
Use a slim plum-noir choker construction and attach one burnished-gold flower as the central accent. This is one of the cleanest options when you want the Gothic neckline to remain more important than the botanical decoration.
Plum Noir Should Stay Narrow and Continuous Behind Burnished Gold
Keep the band visually uninterrupted so it reads clearly as a choker rather than disappearing behind the flower.
Burnished Gold Can Create One Strong Accent on Plum Noir
Choose a flower size proportionate to the narrow band. An extremely large motif can change the piece from a choker into a floral bib.
Creator Credit: Banoris Crafts
14. Plum Noir Crochet Victorian Vintage Lace Choker with Burnished Gold Floral Center
Use a wider plum-noir lace choker and reserve burnished gold for one central flower or floral medallion. The broader lace provides enough visual weight to support a more ornate focal point.
Plum Noir Lace Can Provide the Victorian Gothic Structure
Let scallops, open sections, and repeated lace elements remain dark so the choker has texture before the flower is added.
Burnished Gold Should Sit Where Plum Noir Lace Has the Most Space
Place the floral center on a relatively stable portion rather than where narrow scallops or ties would distort it.
Keep Burnished Gold Smaller Than the Plum Noir Lace Width
The accent should feel integrated into the band instead of extending so far beyond it that the necklace loses its choker proportions.
Creator Credit: Littlejohn’s Yarn
15. Plum Noir Crochet Victorian Flower-Pendant Choker with Burnished Gold Neck Band
Use a plum-noir flower pendant at the center and make the supporting neck band burnished gold. The lighter band creates a striking reversal in which the Gothic darkness is concentrated in the flower rather than spread around the full neckline.
Plum Noir Flower Should Anchor the Burnished Gold Choker
Give the central motif enough dark surface to become the immediate focal point. Keep the pendant’s outline clear against clothing by avoiding too many small color changes.
Burnished Gold Can Make the Plum Noir Pendant Feel More Ornamental
Use the lighter shade continuously through the neck band so the color contrast occurs at one clean transition.
Repeat Plum Noir Minimally Within the Burnished Gold Band
A small dark closure or narrow central connection can link the band back to the pendant without reducing the gold-toned framing effect.
Creator Credit: Sure It
16. Plum Noir Crochet Victorian Gothic Pansy Choker with Burnished Gold Flower Centers
Use the pansy construction as the floral component, working the larger petal areas in plum noir and concentrating burnished gold near the center. The naturally layered flower shape can create a dramatic centerpiece without requiring several different yarn colors.
Plum Noir Pansy Petals Need Burnished Gold Center Separation
Keep the main petals dark and use the gold-toned center to clarify where they converge. This allows the flower structure to remain visible even when the choker band is also plum noir.
Burnished Gold Should Stay Concentrated Inside the Plum Noir Pansy
A strong central accent is usually enough. Adding gold around every outer petal can reduce the dark Gothic effect.
Plum Noir Banding Can Support the Burnished Gold Pansy Center
Use a relatively restrained dark band behind the flower so the layered pansy remains the primary texture.
Creator Credit: Ateliê Samila crochê
17. Plum Noir Crochet Victorian Gothic Peony Choker with Burnished Gold Lace Band
Use a layered plum-noir peony as the main center flower and place it on a burnished-gold or gold-accented lace band. The large flower provides dramatic depth while the lighter band helps its outline stay visible.
Plum Noir Peony Layers Should Remain the Main Choker Volume
Keep most petal layers dark instead of changing color at every level. The flower’s dimensional construction already provides substantial variation.
Burnished Gold Can Separate the Plum Noir Peony from the Neck Band
A lighter band immediately behind the flower creates contrast around its outer petals. Keep the gold area relatively flat so it does not compete with the peony’s volume.
Keep Plum Noir Peony Scale Proportional to the Burnished Gold Choker
A deeply layered flower can become uncomfortable if it extends too far toward the sides. Concentrate the volume at the front where the motif can sit more naturally.
Creator Credit: KAQNIN KASIKAY
18. Plum Noir Crochet Victorian Gothic Orchid Choker with Burnished Gold Side Details
Use one plum-noir orchid-inspired flower as an asymmetrical focal point and add burnished-gold details toward the opposite side. The irregular floral silhouette creates a less formal Gothic composition than a centered rose.
Plum Noir Orchid Petals Should Have Clear Space on the Choker
Do not crowd the flower with additional motifs on every side. Its more complex petal shape needs negative space to remain identifiable.
Burnished Gold Can Balance an Off-Center Plum Noir Orchid
Place smaller gold-toned accents on the opposite side of the neckline rather than duplicating another full-size flower.
Plum Noir Should Continue Through the Burnished Gold Side Accents
A dark connecting band keeps the asymmetrical pieces visually related and prevents the gold details from appearing detached.
Creator Credit: Shelen Crochet
19. Balanced Plum Noir and Burnished Gold Crochet Victorian Gothic Rose Garden Choker
Give plum noir and burnished gold similar visual importance through several broad flower and band areas rather than alternating every petal. Plum-noir roses can occupy the center and one side, while burnished-gold flowers, centers, or connecting sections repeat across the remaining neckline.
Plum Noir and Burnished Gold Need Broad Floral Choker Zones
Use complete flowers, petal groups, or band sections as the main color units. Larger zones preserve the Victorian Gothic character better than numerous tiny alternating details.
Burnished Gold Can Separate Dense Plum Noir Rose Clusters
When two dark roses sit close together, a gold-toned center flower or connecting detail can create enough visual space for both silhouettes to remain recognizable.
Plum Noir Can Frame Burnished Gold Around the Full Neckline
Repeat the dark shade at the side bands or closure even when gold occupies a substantial part of the front. That return gives the choker a darker outer boundary.
Creator Credit: naztazia
Which Plum Noir and Burnished Gold Victorian Gothic Flower Choker Should You Choose?
Choose a plum-noir-dominant choker when you want the Gothic side of the design to lead. Dark lace bands, plum roses, peonies, orchids, or pansies can occupy most of the neckline while burnished gold is restricted to flower centers, borders, buds, and focal details.
Choose a burnished-gold-dominant choker when you want the floral ornamentation to be lighter and more prominent. Gold-toned flower chains or neck bands can work with plum-noir centers, ties, outlines, and connecting sections to preserve enough darkness.
For a restrained Victorian-inspired look, use one central flower on a lace choker. For a more theatrical Gothic arrangement, use a layered rose cluster, peony, orchid, or asymmetrical botanical composition. In either case, keep the closure area simpler than the front so the decorative motifs do not interfere with wearing the piece.
Conclusion
Plum noir and burnished gold can create a crochet flower choker that feels dark, ornate, and botanical without relying on a large palette. Plum noir is especially useful for the structural band, lace, ties, and major flower masses, while burnished gold can define centers, borders, secondary flowers, and selected ornamental details.
The clearest designs give each color a specific role. A plum-noir rose with a burnished-gold center, a dark lace band with one gold flower, or a chain of gold flowers joined by plum-noir crochet all preserve the flower shapes better than constant color switching.
Use the credited tutorials for the choker, floral necklace, collar, rose, pansy, peony, orchid, or flower construction each creator actually demonstrates. When the source covers only a flower component, plan the choker band, closure, placement, and two-color composition separately so the finished accessory remains comfortable and wearable.
Frequently Asked Questions
Should Plum Noir or Burnished Gold Dominate a Victorian Gothic Flower Choker?
Plum noir works well as the dominant shade when you want the choker to feel darker and more Gothic. Burnished gold is useful as the leading shade when you want the flowers or ornamental band to attract more attention.
Where Should Burnished Gold Go on a Plum Noir Flower Choker?
Useful placements include flower centers, selected outer petals, lower lace points, borders, small buds, or one focal flower. Concentrating the lighter shade in a few meaningful places usually preserves the Gothic effect better than outlining every stitch.
How Can I Keep Plum Noir Flowers Visible on a Plum Noir Choker Band?
Use burnished gold at the flower center or along selected petal edges, and leave some open space around the motif. Dimensional petals can also create separation through shadow, but the flower still needs a clear silhouette against the band.
Can Plum Noir and Burnished Gold Be Used Equally?
Yes, but equal yarn quantity is unnecessary. Burnished gold may attract more attention even when it covers less surface, so a balanced choker can contain considerably more plum noir while still looking strongly two-colored.
Which Flower Works Well for a Plum Noir Victorian Gothic Choker?
Roses suit a classic romantic direction, while pansies, peonies, and orchids create different silhouettes and levels of volume. Choose according to the available neckline space and how dimensional you want the front of the choker to be.
Should the Closure Be Plum Noir or Burnished Gold?
Plum noir is useful when you want the closure or ties to visually recede into the dark band. Burnished gold can work when you intentionally want the finishing detail to remain visible. Keep the closure accessible rather than hiding it beneath large flowers.
Can a Crochet Flower Tutorial Be Used for a Victorian Gothic Choker?
Yes, as a motif source, but it does not automatically provide the choker construction. Use the flower tutorial for the botanical component it demonstrates, then plan the neckline band, fit, closure, motif attachment, and plum-noir/burnished-gold placement separately.
