13 Crochet Plum Noir and Dusty Pink Gothic Velvet Ribbon Barrette Ideas
Plum Noir and Dusty Pink create a useful dark-and-soft contrast for a gothic crochet barrette. Plum Noir can define the main bow, lace edge, rosette, or backing, while Dusty Pink can lighten the center, reveal smaller crochet details, or soften an otherwise nearly solid dark accessory.
Velvet ribbon changes the palette in another way because its surface contrasts with crochet even when the colors are similar. A narrow Dusty Pink velvet center around a Plum Noir bow can stand apart through both color and texture, while a Plum Noir velvet backing beneath Dusty Pink lace can deepen the open spaces without adding another yarn shade.
The strongest versions give each material a clear role. Crochet should establish the bow, flower, lace, or decorative barrette shape; velvet ribbon can define a knot, tail, backing layer, frame, or controlled accent. Keep the ribbon clear of moving barrette parts so decorative placement does not interfere with the hardware.
The supporting tutorials include crochet bows, bow barrettes, lace hair bows, and floral hair clips. The Plum Noir, Dusty Pink, gothic styling, and velvet-ribbon treatments below are independent adaptations rather than claims about the palettes used by the creators.
Quick List
- Plum Noir Crochet Bow Barrette With a Dusty Pink Velvet Center
- Dusty Pink Crochet Ribbon-Tail Barrette With Plum Noir Velvet Tails
- Plum Noir Crochet Diamond-Lace Barrette With Dusty Pink Velvet Underlay
- Dusty Pink Crochet Rose Bow Barrette With Plum Noir Velvet Framing
- Plum Noir Crochet Floral Barrette With a Dusty Pink Velvet Center
- Dusty Pink Crochet Classic Bow Barrette With Plum Noir Velvet Edging
- Plum Noir Crochet Statement Bow Barrette With Dusty Pink Velvet Tails
- Dusty Pink Crochet Mini Bow Barrette With a Plum Noir Velvet Knot
- Dusty Pink Crochet Flower-Cluster Barrette With a Plum Noir Velvet Base
- Plum Noir Crochet Scalloped Floral Barrette With Dusty Pink Velvet Backing
- Dusty Pink Crochet Gothic Rosette Barrette With Plum Noir Velvet Loops
- Plum Noir Crochet Bordered Bow Barrette With a Dusty Pink Velvet Stripe
- Plum Noir and Dusty Pink Crochet Long-Tail Barrette With Velvet Ribbon Layers
Let Plum Noir Establish the Gothic Barrette Shape
Plum Noir is useful across the largest crochet areas because the deep plum direction can define bow loops, lace outlines, rosettes, and long tails without relying on black. Dusty Pink then has a clearer job as a softened contrast rather than competing for equal space everywhere.
On very small barrettes, one Dusty Pink center or ribbon layer may be enough. Larger bows can handle pink tails, inner loops, or repeated floral details while still remaining Plum Noir-dominant.
Use Dusty Pink Where Plum Noir Crochet Details Need Separation
Dark crochet can make small folds, open lace, and layered petals less obvious when several dark elements overlap. Dusty Pink can create separation at the knot, beneath an openwork section, around a floral center, or between two Plum Noir layers.
The actual contrast depends on the yarns and ribbon you choose. Place them side by side before assembly, and consider a grayscale photo if you want to check whether the colors differ clearly in lightness as well as hue.
Keep Plum Noir and Dusty Pink Velvet Clear of Barrette Hardware
Decorative ribbon should not cover hinges, springs, gripping sections, or any other part of the barrette that needs to move. Assemble or position the crochet decoration with the hardware in mind before adding long velvet tails or a full backing layer.
If the ribbon extends beyond the crochet bow, check the barrette while open and closed. A gothic layered look is more useful when the decorative elements stay on the visible side instead of wrapping underneath the working hardware.
1. Plum Noir Crochet Bow Barrette With a Dusty Pink Velvet Center

Let Plum Noir form the complete crochet bow and use Dusty Pink velvet only at the gathered middle. This keeps the barrette dark from edge to edge while giving the center enough contrast to separate the two bow loops. It is one of the most restrained ways to introduce Dusty Pink because the lighter shade has one clearly defined job.
Plum Noir Should Keep Both Crochet Bow Loops Visually Connected
Use Plum Noir continuously across both loops so the barrette reads as one dark bow rather than several color blocks. Keeping the outer silhouette uninterrupted also gives you more freedom to make the center contrast noticeable without adding pink around every edge.
If the crochet has visible texture, avoid covering too much of the loop surface with ribbon.
Dusty Pink Velvet Can Define the Plum Noir Bow Center
Wrap or position Dusty Pink velvet around the central pinch where it can separate the two Plum Noir sides. The softer color becomes more noticeable because it is surrounded completely by the darker yarn.
Keep the velvet center proportionate to the bow. A very wide wrap can conceal the gathered construction and make the accessory look more rectangular.
Creator Credit: Ada’s Handmade
2. Dusty Pink Crochet Ribbon-Tail Barrette With Plum Noir Velvet Tails

Make Dusty Pink the crochet bow color and move Plum Noir into longer velvet tails. The pale bow remains clearly visible above the barrette while the dark ribbon falls beneath it, giving the accessory a more dramatic vertical line without covering the crochet loops.
Dusty Pink Should Remain Broad Across the Crochet Bow Loops
Keep Dusty Pink uninterrupted through the upper bow so it stays distinct from the dark tails. Introducing Plum Noir yarn across the loops as well would reduce the clean material separation between crochet and velvet.
The lighter bow also gives the center and folds more visibility when the accessory is viewed against dark hair.
Plum Noir Velvet Tails Can Ground the Dusty Pink Barrette
Let Plum Noir begin below or behind the bow rather than spreading over its face. The dark tails can extend the visual length of the barrette while allowing Dusty Pink to remain the main upper feature.
Check that the velvet falls away from the clasp and does not curl beneath the working side of the hardware.
Creator Credit: vvw.studio
3. Plum Noir Crochet Diamond-Lace Barrette With Dusty Pink Velvet Underlay

Open diamond lace gives this barrette a natural place for a second material. Crochet the visible lace in Plum Noir, then use Dusty Pink velvet underneath selected open sections so the pale color appears through the dark pattern rather than sitting on top of it.
Plum Noir Should Preserve the Diamond-Lace Barrette Pattern
Keep the lace itself Plum Noir so the repeated openings remain visually connected. Switching yarn colors inside the lace would compete with both the geometric pattern and the Dusty Pink backing.
Before adding ribbon, check the lace on its own to identify which openings actually need more separation.
Dusty Pink Velvet Can Show Through Plum Noir Openwork
Place Dusty Pink behind the lace where it can reveal the diamond shapes without covering their outer edges. This creates contrast through layering rather than through extra crochet color changes.
Keep the backing no wider than necessary so the barrette does not become a solid pink strip with dark crochet laid over it.
Creator Credit: OhMeOhMyCrochet
4. Dusty Pink Crochet Rose Bow Barrette With Plum Noir Velvet Framing

Use Dusty Pink for a soft crochet bow or rose-influenced barrette shape and place Plum Noir velvet behind or immediately around it. The dark frame gives the muted pink a more gothic direction without requiring the crochet flower itself to become heavily multicolored.
Dusty Pink Should Keep the Rose-Inspired Crochet Detail Visible
Let Dusty Pink carry the folds or petal-like areas so those small shapes remain easy to distinguish. If Plum Noir spreads through the center of every crochet detail, the flower and bow elements can visually collapse together.
Keep the pale crochet area large enough to remain the focal point.
Plum Noir Velvet Can Frame Dusty Pink Without Covering the Rose Shape
Position Plum Noir behind the crochet where a narrow dark outline can remain visible. The velvet should act like a shadow or frame rather than cover the pink petal edges.
This placement also gives the dark material a clear purpose without requiring long ribbon tails.
Creator Credit: Selina Veronique Crochet
5. Plum Noir Crochet Floral Barrette With a Dusty Pink Velvet Center

Instead of using a conventional bow, make a Plum Noir crochet flower the main barrette decoration and place Dusty Pink velvet through the center. This creates a darker botanical interpretation of the palette while keeping the lighter color concentrated in one focal area.
Plum Noir Petals Need Clear Space Around the Dusty Pink Center
Keep the Plum Noir flower large enough that its petal outline remains visible outside the velvet center. If Dusty Pink spreads too far outward, the flower can lose its dark gothic silhouette.
A plain Plum Noir backing can also help separate the petals from the metal barrette.
Dusty Pink Velvet Should Emphasize the Plum Noir Floral Center
Use the Dusty Pink as a compact center, small rosette, or narrow folded ribbon detail. Concentrating it in the middle gives the eye a clear point of focus without turning the flower into an equal two-color motif.
Avoid placing bulky ribbon over the section that needs to sit flat against the hair clip.
Creator Credit: Meladora’s Creations for Crochet
6. Dusty Pink Crochet Classic Bow Barrette With Plum Noir Velvet Edging

Keep the bow itself Dusty Pink and use Plum Noir velvet as a narrow visible edge or backing line. This reverses the dark-dominant arrangements and makes the barrette lighter while still retaining enough Plum Noir to support the gothic direction.
Dusty Pink Should Stay Wider Than the Plum Noir Barrette Edge
The pink crochet needs to occupy most of each loop for the bow to remain Dusty Pink-led. If Plum Noir creates a broad frame, the accessory begins to read as a dark bow with a pale inset instead.
Check the edge from normal viewing distance because a thin dark border can appear stronger than expected.
Plum Noir Velvet Can Sharpen the Dusty Pink Crochet Outline
Use the velvet around selected outer areas or behind the crochet loops so it gives the pale bow a more defined edge. The dark material is especially useful where the bow overlaps a similarly light hairstyle or accessory.
Keep the velvet away from the lower hardware unless it is securely positioned on the decorative face.
Creator Credit: Kate
7. Plum Noir Crochet Statement Bow Barrette With Dusty Pink Velvet Tails

A larger bow has enough visual space for more dramatic material separation. Keep the crochet loops and center Plum Noir, then let Dusty Pink velvet extend below as long tails. The result keeps the upper barrette dark while introducing movement through a softer second color.
Plum Noir Should Control the Full Statement Bow Silhouette
Use Plum Noir through the large loops so the size of the crochet bow remains obvious. Large statement bows already contain substantial visual information, so avoid filling the loops with extra Dusty Pink appliqués.
The dark upper section should remain the structural focal point.
Dusty Pink Velvet Tails Can Soften the Plum Noir Statement Bow
Allow Dusty Pink to appear below the crochet rather than across it. The lighter tails create vertical contrast while keeping the Plum Noir bow unobstructed.
Compare tail length and width with the actual barrette before securing the ribbon; oversized tails can visually overpower the crochet portion.
Creator Credit: Artsy Maki
8. Dusty Pink Crochet Mini Bow Barrette With a Plum Noir Velvet Knot

On a compact barrette, simplify the palette. Let Dusty Pink cover the entire crochet bow and use Plum Noir velvet only at the center knot. One dark focal point is usually enough to give a small pink accessory more depth.
Dusty Pink Needs to Stay Visible Around the Plum Noir Mini-Bow Knot
Keep both Dusty Pink loops largely uncovered so the miniature bow remains recognizable. Because there is little surface area, even a modest Plum Noir wrap can dominate quickly.
A simple two-zone design is clearer than several tiny stripes on a mini barrette.
Plum Noir Velvet Should Stay Compact on the Dusty Pink Center
Use just enough Plum Noir to define the middle. A compact dark knot can produce strong contrast without hiding the gathered shape underneath.
Check the back of the center before mounting the bow so excess velvet does not create unnecessary bulk against the clip.
Creator Credit: Pakhi Kar
9. Dusty Pink Crochet Flower-Cluster Barrette With a Plum Noir Velvet Base

Use several small Dusty Pink crochet flowers as the visible decoration and mount them over a restrained Plum Noir velvet layer. The dark base connects the individual motifs and keeps the cluster from becoming a collection of unrelated pale shapes.
Dusty Pink Flowers Need Enough Plum Noir Space Between Them
Avoid packing the Dusty Pink motifs so tightly that the Plum Noir base disappears completely. Small dark gaps help individual flower outlines remain readable and make the cluster look intentionally arranged.
A more open arrangement can also keep the barrette from becoming visually bulky.
Plum Noir Velvet Can Unite Multiple Dusty Pink Crochet Motifs
Use Plum Noir as one continuous backing rather than adding a separate dark center to every flower. A shared velvet base gives the whole barrette one dark foundation and allows Dusty Pink to remain the only crochet color.
Keep the backing within the decorative top so it does not obstruct the clip underneath.
Creator Credit: The Purple Thread
10. Plum Noir Crochet Scalloped Floral Barrette With Dusty Pink Velvet Backing

A scalloped or petal-edged crochet barrette can stay completely Plum Noir while Dusty Pink velvet sits behind the outer shapes. This is useful when you want the crochet outline itself to provide most of the gothic detail.
Plum Noir Should Preserve the Scalloped Edge Against Dusty Pink
Make sure each Plum Noir curve or petal extends beyond the Dusty Pink backing enough to remain visible. If the ribbon reaches exactly to every edge, the crochet contour can become harder to distinguish.
The dark outer shape should remain the first thing defining the barrette.
Dusty Pink Velvet Can Fill Negative Space Behind Plum Noir Petals
A pale backing gives open or separated crochet sections a softer contrast. Use it selectively where the Plum Noir shapes would otherwise disappear against dark hair.
The ribbon does not need to cover the entire underside; use only enough to support the visible decorative area.
Creator Credit: DIY From Home Crochet
11. Dusty Pink Crochet Gothic Rosette Barrette With Plum Noir Velvet Loops

Make Dusty Pink the center of a floral barrette and surround it with narrow Plum Noir velvet loops or folded accents. This produces a darker frame without requiring the rosette itself to become two-color crochet.
Dusty Pink Should Keep the Rosette Center Clearly Defined
Use Dusty Pink throughout the crochet flower so the petal layers remain connected. The softened color creates enough distinction against the darker velvet surrounding it.
Do not cover the central petal structure with an oversized ribbon knot.
Plum Noir Velvet Loops Can Frame the Dusty Pink Rosette
Arrange narrow dark loops behind the flower where they can extend slightly beyond the crochet edge. This gives the barrette a more elaborate gothic outline while leaving the Dusty Pink rosette visible.
Keep the velvet balanced across the barrette so one side does not become visually heavier unless asymmetry is intentional.
Creator Credit: Crochet Corner by Summu
12. Plum Noir Crochet Bordered Bow Barrette With a Dusty Pink Velvet Stripe

Use Plum Noir for both the main bow and crochet border, then insert one Dusty Pink velvet stripe across or behind a controlled section. This keeps the accessory mostly dark while giving the second color a graphic rather than floral role.
Plum Noir Should Remain Continuous Around the Dusty Pink Stripe
Let Plum Noir surround the lighter stripe so it reads as an accent contained inside the bow. A Dusty Pink section that reaches every outer edge will visually split the bow into separate blocks.
This arrangement is useful when you want less romance and more structured contrast.
Dusty Pink Velvet Should Cross the Plum Noir Bow Deliberately
Place the stripe where it relates to the center wrap, lower edge, or another clear feature. Avoid positioning it at an arbitrary angle unless the rest of the barrette supports that asymmetry.
One controlled Dusty Pink line can provide enough contrast without adding pink edging as well.
Creator Credit: Anubha’s Crochet
13. Plum Noir and Dusty Pink Crochet Long-Tail Barrette With Velvet Ribbon Layers

For the most elaborate idea, combine a Plum Noir crochet bow with controlled Dusty Pink crochet details and layered velvet tails in the same palette. The key is hierarchy: the crochet bow should remain the recognizable top section, while the velvet extends the accessory below it.
Plum Noir Should Anchor the Dusty Pink Long-Tail Barrette
Use Plum Noir for the central bow, backing, or largest upper loops so the darkest color stays close to the barrette hardware. That creates a visual anchor before the lighter sections fall downward.
If Dusty Pink appears in the crochet itself, keep it to inner loops or a center detail rather than dividing every part equally.
Dusty Pink Velvet Can Layer Beneath Plum Noir Without Hiding the Crochet
Place the Dusty Pink ribbon underneath the main bow so only the tails or selected inner sections show. This keeps the two materials visibly separate and prevents the velvet from covering detailed crochet work.
If a second Plum Noir velvet layer is added, stagger the lengths or widths enough that the Dusty Pink layer remains visible rather than disappearing between two dark surfaces.
Creator Credit: Ms creations
Choosing Between the Plum Noir and Dusty Pink Gothic Barrette Directions
Choose a Plum Noir-dominant barrette when you want the accessory to stay dark and use Dusty Pink mainly for contrast. Ideas 1, 3, 5, 7, 9, 11, and 13 place the deepest color across the main crochet shape while pink appears in centers, backing, tails, or stripes.
Choose a Dusty Pink-dominant barrette when you want a softer base with a gothic Plum Noir frame. Ideas 2, 4, 6, 8, 10, and 12 make pink responsible for the bow or flower while dark velvet defines the edge, tail, base, or knot.
Idea 14 is the strongest layered option because it gives both colors and both materials substantial space. That type of barrette needs the clearest hierarchy: establish the crochet bow first, then add only enough velvet to extend or frame it.
Conclusion
Plum Noir and Dusty Pink can create very different gothic barrettes depending on which color owns the crochet and which appears in velvet. A Plum Noir bow with one Dusty Pink center looks restrained and dark, while a Dusty Pink flower over a Plum Noir velvet base creates a softer focal point with deeper framing.
For a cleaner barrette, concentrate velvet at the center, edge, or backing. For more drama, move it into tails, underlayers, or loops behind a crochet rosette. Lace and openwork designs benefit particularly from contrasting backing because the second color can show through the crochet without requiring additional yarn changes.
Before securing the final layers, place the complete crochet and velvet arrangement over the actual barrette. Check the front silhouette, make sure the decorative layers remain where they can be seen, and confirm that no ribbon interferes with the working hardware. Use the credited tutorials for their original crochet construction concepts while adapting the Plum Noir, Dusty Pink, and velvet-ribbon placement independently.
Frequently Asked Questions
Should Plum Noir or Dusty Pink dominate a gothic crochet barrette?
Use Plum Noir as the dominant color when you want the bow or floral shape to remain visually dark. Dusty Pink works well as the main shade when you prefer a softer barrette with Plum Noir concentrated in velvet edging, backing, tails, or the center.
Where should Dusty Pink velvet go on a Plum Noir crochet bow barrette?
Useful locations include the center wrap, inner bow layer, tails, or a narrow backing visible through open crochet. Keeping Dusty Pink in one or two related areas usually creates a clearer hierarchy than scattering small pink details across every loop.
Can Plum Noir velvet be placed behind Dusty Pink crochet lace?
Yes. A dark velvet backing can deepen the negative spaces behind Dusty Pink lace and help its outline remain visible. Keep the backing within the decorative area and away from the moving sections of the barrette.
How can I keep Plum Noir crochet from hiding small gothic details?
Give small features visual separation. Dusty Pink can sit beside raised sections, behind openwork, or around a central fold. You can also compare the Plum Noir yarn in the actual stitch texture before committing to an intricate design.
Does every Plum Noir and Dusty Pink gothic barrette need long velvet tails?
No. A narrow center wrap, backing layer, edge, or small loop can provide enough velvet contrast. Long tails work better when you specifically want a more dramatic vertical accessory and the barrette hardware can support the decorative arrangement without being obstructed.
How can I substitute another shade for Plum Noir?
Choose another deep plum, wine, aubergine, or similarly dark color if you want to preserve the strong contrast role. A substantially lighter substitute will reduce the dark framing effect against Dusty Pink.
How can I substitute another shade for Dusty Pink?
Choose another muted pink that remains clearly lighter or softer than Plum Noir. Avoid replacing it with a shade so dark that the crochet and velvet layers merge visually unless a very low-contrast gothic palette is intentional.
Should velvet ribbon be structural on a crochet barrette?
Treat velvet ribbon primarily as a decorative element unless the construction you are following specifically uses it structurally. The crochet decoration and barrette hardware should still be assembled according to the chosen tutorial, with the ribbon added where it does not interfere with opening, closing, or gripping.